Digital Mixing Desks

DiGiCo SD9 Mixing Desk Hire

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DiGiCo SD9 digital mixer dry hire. 48 input channels, 24 buses, snapshot automation, MADI and stage box compatibility. Theatre and live music ready. London, Surrey & UK.

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The DiGiCo SD9 is a compact digital mixing console aimed at theatre, live music, broadcast and touring corporate. 48 input channels with 24 buses, full snapshot automation, plus DiGiCo’s signature workflow and sound. A small footprint desk that handles serious shows. Dry hire from digital mixing desks at STLS.

Specs At A Glance

Type Digital mixing console
Input Channels 48 (mono or stereo)
Buses 24 buses + LR + LCR
Local I/O 8 mic/line in, 8 line out, 4 AES, MADI
Stage Box Compatibility DiGiCo D-Rack, SD-Rack, SD-Mini Rack via Cat5/optical
Sample Rate 48 kHz / 96 kHz
Snapshots Full scene/snapshot automation with timecode
Weight 26 kg

What’s Included In Dry Hire

Each SD9 hire comes with the console in its flight case, power supply, dust cover and DVI monitor output ready. PAT certificate on request. Stage boxes (D-Rack, SD-Mini) and Cat5/optical loom available as paired hire.

Key Features

  • 48 input channels, 24 buses plus LR/LCR
  • Compact footprint, fits most FOH positions and tour cases
  • Snapshot automation with cue lists and timecode triggering
  • DiGiCo Stealth Core 2 processing for low-latency sound
  • Compatible with D-Rack, SD-Rack and SD-Mini Rack stage boxes
  • MADI, Dante (via card option) and optical fibre connectivity
  • Multi-channel recording via MADI for virtual soundcheck
  • Industry-standard theatre and live music desk

Common Uses

Touring theatre, live music venues, awards shows, conferences, corporate AV, broadcast and houses of worship. Especially suited to theatre because of its snapshot workflow.

Similar Or Alternative Desks

Need bigger or different? See our digital mixer range for DiGiCo S21, S31, plus Allen & Heath dLive and Yamaha CL/QL. Need analogue instead? See analogue mixers.

Frequently Asked Questions

How many input channels does the SD9 have?
48 input channels (mono or stereo), 24 buses plus LR and LCR. Enough for theatre, band shows and big corporate.

What stage boxes work with the SD9?
DiGiCo D-Rack, SD-Rack and SD-Mini Rack via Cat5 or optical. Compatible across the DiGiCo SD-series ecosystem.

Can I load a show file from another DiGiCo desk?
Yes. Show files are cross-compatible between SD-series desks (subject to channel count and license). Send us the file ahead of pickup and we’ll validate it.

Does the SD9 support Dante?
Yes, via an optional Dante DMI card. Pre-book if needed, as cards are limited.

What sample rate does it run?
Both 48 kHz and 96 kHz. Stealth Core 2 processing supports the higher rate with full channel count.

Can I pre-programme the show file before the hire?
Yes. Send us your input list, FX patches and snapshots and we’ll load and validate before the desk leaves the warehouse. Programming time quoted separately.

Hire The DiGiCo SD9

Send us your dates, input count and show type. We’ll confirm availability and quote. Collect from our Surrey depot or we’ll deliver UK-wide.

Get a quote or call us direct.

General

Faders:: 24 x 100mm Touch-sensitive, motorised
Screens:: 1 x 15” (38cm) LCD high – resolution touch screen
Meters:: 24 x 8-Segment LED bargraph
Input Channels:: 96 Input Channels
48 Aux/ Sub-Group Busses
Solo Busses: 2 Stereo Busses
Matrix: 12 x 8 Matrix (additional to busses above)
Control Groups: 12, Selectable for VCA-style, Moving Fader, Mute Group
Graphic EQ: 16 x 32-band, Gain +/- 12dB
Internal FX: 12 Stereo FX Processors
Local I/O: 8 x Mic/Line I/O, 4 x AES/EBU: I/O (Mono)
MADI Interface: In / Out
Optional Optics
MIDI Interface: In / Out / Thru
VGA Port: DB-15 Mini-Female (1024 x 768 Resolution)
USB Ports 3 x USB2
Light Connection 2 x XLR3 1.2 – 12V
Ext Sync: Word Clock, MADI
Headphone: TRS Unbalanced / 8-600 Ohms 1/4 Inch Jack
GPI: 2 x 1/4” Jack
GPO: 2 x 1/4” Jack
SD9 Dimensions: 878mm (w) x 785mm (d) x 262mm (h)
SD9 Weight: 36Kg (105Kg with optional flightcase)
SD9 Flightcase: 1063mm (w) x 1131mm (h) x 472mm (d) (Optional):
SD9 Power: 90-264 VAC, 47-63Hz Auto Sensing. 208 watts, 232VA Requirements
Redundancy: Internal PSU x 2 (Optional)

Audio Specification

Sample Rate: 48kHz or 96kHz
Processing Delay: 2ms Typical @ 48k (48 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @ 96k
Internal Processing: Up to 40-bit, Floating Point
A>D & D>A: 24-bit Converter Bit Depth
Frequency Response: +/- 0.6dB (20Hz – 20kHz)
THD: <0.05% @ Unity Gain,: 10dB Input @ 1kHz
Channel Seperation: Better Than 90dB: (40Hz – 15kHz)
Residual Output: <90dBu Typical
Noise: (20Hz – 20kHz)
Microphone Input: Better Than -126dB: Equivalent Noise
Maximum Output Level: +22dBu
Maximum Input Level: +22dBu

Processing Channel Specification Input Channel

Name: User-Defined / Presets
Channel Selection: Mono / Stereo / Multi
Input Routing: Main & Alternate Input
Analogue Gain: -20 to +60dB
Phase: Normal / Reverse
Digital Trim: -40 to +40dB
Delay: >1 Sec (Coarse & Fine Control)
DiGiTuBe: Drive 0.01 – 50.0
Bias 0 – 6
LPF: 20 – 20kHz, 24dB/Oct
HPF: 20 – 20kHz, 24dB/Oct
Insert A: (Pre EQ/Dyn) On/Off
Equalisation: 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Dynamics 1: Single or Multiband (3-Band) Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with
Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, Soft De-Esser: Threshold : 20us – 20ms
Release : 1ms – 100ms
Ratio : 1:1 – 50:1
Ess-Band : Listen On/Off
Ess-Band Filter Freq / Width: 20Hz – 20kHz
Dynamics 2: On/OffGate / Ducker: Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 – 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHz Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with
Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any Source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz
Insert B: (Post EQ/Dyn) On/Off
EQ/Dyn order: EQ/Dyn or Dyn/EQ
Mute: Channel Mute / Hard Mute
Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
Full Safe
Output Routing: Buss, Insert A, Insert B, FX
Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
Fader: 100mm Motorised Fader ∞ to +10dB

Processing Channel Specification Aux / Group / Matrix Output

Name: User-Defined / Presets
Phase: Normal / Reverse
Digital Trim: -20 to +60dB
Delay: >1 Sec (Coarse & Fine control)
DiGiTuBe: Drive 0.01 – 50.0
Bias 0 – 6
LPF: 20 – 20kHz, 24dB / Oct
HPF: 20 – 20kHz, 24dB / Oct
Insert A: (Pre EQ/Dyn) On/Off
Equalisation: 4 Band Parametric or Dynamic
: Parametric Only
(Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Dynamics 1: Single or Multiband (3-band) Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB
with Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, SoftDe-Esser: Threshold: 20us – 20ms
Release: 1ms – 100ms
Ratio: 1:1 – 50:1
Ess-Band: Listen On/Off
Ess-Band Filter Freq/Width: 20Hz – 20kHz
Dynamics 2: On/OffGate / Ducker: Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 – 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHz Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB
with Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz
Insert B: (Post EQ/Dyn) On/Off
EQ/Dyn Order: EQ/Dyn or Dyn/EQ
Mute: Channel Mute / Hard Mute
Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
Channel Safe: Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
Output Routing: Outputs, Insert A, Insert B, FX
Fader: 100mm Motorised Fader ∞ to + 10dB

    Let's get planning

    If you're interested in hiring this piece of equipment, please request a quote by using the form below so we can check your requirements against our lead times, or speak to a member of our team on 02083 964 207.

    This form collects your name, email address and telephone number so that we can contact you regarding your enquiry. Our Privacy Policy will provide further information on how this data is managed.

    The DiGiCo SD9 is a compact digital mixing console aimed at theatre, live music, broadcast and touring corporate. 48 input channels with 24 buses, full snapshot automation, plus DiGiCo’s signature workflow and sound. A small footprint desk that handles serious shows. Dry hire from digital mixing desks at STLS.

    Specs At A Glance

    Type Digital mixing console
    Input Channels 48 (mono or stereo)
    Buses 24 buses + LR + LCR
    Local I/O 8 mic/line in, 8 line out, 4 AES, MADI
    Stage Box Compatibility DiGiCo D-Rack, SD-Rack, SD-Mini Rack via Cat5/optical
    Sample Rate 48 kHz / 96 kHz
    Snapshots Full scene/snapshot automation with timecode
    Weight 26 kg

    What’s Included In Dry Hire

    Each SD9 hire comes with the console in its flight case, power supply, dust cover and DVI monitor output ready. PAT certificate on request. Stage boxes (D-Rack, SD-Mini) and Cat5/optical loom available as paired hire.

    Key Features

    • 48 input channels, 24 buses plus LR/LCR
    • Compact footprint, fits most FOH positions and tour cases
    • Snapshot automation with cue lists and timecode triggering
    • DiGiCo Stealth Core 2 processing for low-latency sound
    • Compatible with D-Rack, SD-Rack and SD-Mini Rack stage boxes
    • MADI, Dante (via card option) and optical fibre connectivity
    • Multi-channel recording via MADI for virtual soundcheck
    • Industry-standard theatre and live music desk

    Common Uses

    Touring theatre, live music venues, awards shows, conferences, corporate AV, broadcast and houses of worship. Especially suited to theatre because of its snapshot workflow.

    Similar Or Alternative Desks

    Need bigger or different? See our digital mixer range for DiGiCo S21, S31, plus Allen & Heath dLive and Yamaha CL/QL. Need analogue instead? See analogue mixers.

    Frequently Asked Questions

    How many input channels does the SD9 have?
    48 input channels (mono or stereo), 24 buses plus LR and LCR. Enough for theatre, band shows and big corporate.

    What stage boxes work with the SD9?
    DiGiCo D-Rack, SD-Rack and SD-Mini Rack via Cat5 or optical. Compatible across the DiGiCo SD-series ecosystem.

    Can I load a show file from another DiGiCo desk?
    Yes. Show files are cross-compatible between SD-series desks (subject to channel count and license). Send us the file ahead of pickup and we’ll validate it.

    Does the SD9 support Dante?
    Yes, via an optional Dante DMI card. Pre-book if needed, as cards are limited.

    What sample rate does it run?
    Both 48 kHz and 96 kHz. Stealth Core 2 processing supports the higher rate with full channel count.

    Can I pre-programme the show file before the hire?
    Yes. Send us your input list, FX patches and snapshots and we’ll load and validate before the desk leaves the warehouse. Programming time quoted separately.

    Hire The DiGiCo SD9

    Send us your dates, input count and show type. We’ll confirm availability and quote. Collect from our Surrey depot or we’ll deliver UK-wide.

    Get a quote or call us direct.

    General

    Faders:: 24 x 100mm Touch-sensitive, motorised
    Screens:: 1 x 15” (38cm) LCD high – resolution touch screen
    Meters:: 24 x 8-Segment LED bargraph
    Input Channels:: 96 Input Channels
    48 Aux/ Sub-Group Busses
    Solo Busses: 2 Stereo Busses
    Matrix: 12 x 8 Matrix (additional to busses above)
    Control Groups: 12, Selectable for VCA-style, Moving Fader, Mute Group
    Graphic EQ: 16 x 32-band, Gain +/- 12dB
    Internal FX: 12 Stereo FX Processors
    Local I/O: 8 x Mic/Line I/O, 4 x AES/EBU: I/O (Mono)
    MADI Interface: In / Out
    Optional Optics
    MIDI Interface: In / Out / Thru
    VGA Port: DB-15 Mini-Female (1024 x 768 Resolution)
    USB Ports 3 x USB2
    Light Connection 2 x XLR3 1.2 – 12V
    Ext Sync: Word Clock, MADI
    Headphone: TRS Unbalanced / 8-600 Ohms 1/4 Inch Jack
    GPI: 2 x 1/4” Jack
    GPO: 2 x 1/4” Jack
    SD9 Dimensions: 878mm (w) x 785mm (d) x 262mm (h)
    SD9 Weight: 36Kg (105Kg with optional flightcase)
    SD9 Flightcase: 1063mm (w) x 1131mm (h) x 472mm (d) (Optional):
    SD9 Power: 90-264 VAC, 47-63Hz Auto Sensing. 208 watts, 232VA Requirements
    Redundancy: Internal PSU x 2 (Optional)

    Audio Specification

    Sample Rate: 48kHz or 96kHz
    Processing Delay: 2ms Typical @ 48k (48 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @ 96k
    Internal Processing: Up to 40-bit, Floating Point
    A>D & D>A: 24-bit Converter Bit Depth
    Frequency Response: +/- 0.6dB (20Hz – 20kHz)
    THD: <0.05% @ Unity Gain,: 10dB Input @ 1kHz
    Channel Seperation: Better Than 90dB: (40Hz – 15kHz)
    Residual Output: <90dBu Typical
    Noise: (20Hz – 20kHz)
    Microphone Input: Better Than -126dB: Equivalent Noise
    Maximum Output Level: +22dBu
    Maximum Input Level: +22dBu

    Processing Channel Specification Input Channel

    Name: User-Defined / Presets
    Channel Selection: Mono / Stereo / Multi
    Input Routing: Main & Alternate Input
    Analogue Gain: -20 to +60dB
    Phase: Normal / Reverse
    Digital Trim: -40 to +40dB
    Delay: >1 Sec (Coarse & Fine Control)
    DiGiTuBe: Drive 0.01 – 50.0
    Bias 0 – 6
    LPF: 20 – 20kHz, 24dB/Oct
    HPF: 20 – 20kHz, 24dB/Oct
    Insert A: (Pre EQ/Dyn) On/Off
    Equalisation: 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
    Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Dynamics 1: Single or Multiband (3-Band) Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with
    Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, Soft De-Esser: Threshold : 20us – 20ms
    Release : 1ms – 100ms
    Ratio : 1:1 – 50:1
    Ess-Band : Listen On/Off
    Ess-Band Filter Freq / Width: 20Hz – 20kHz
    Dynamics 2: On/OffGate / Ducker: Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 – 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHz Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with
    Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any Source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
    Insert B: (Post EQ/Dyn) On/Off
    EQ/Dyn order: EQ/Dyn or Dyn/EQ
    Mute: Channel Mute / Hard Mute
    Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
    Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
    Full Safe
    Output Routing: Buss, Insert A, Insert B, FX
    Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
    Fader: 100mm Motorised Fader ∞ to +10dB

    Processing Channel Specification Aux / Group / Matrix Output

    Name: User-Defined / Presets
    Phase: Normal / Reverse
    Digital Trim: -20 to +60dB
    Delay: >1 Sec (Coarse & Fine control)
    DiGiTuBe: Drive 0.01 – 50.0
    Bias 0 – 6
    LPF: 20 – 20kHz, 24dB / Oct
    HPF: 20 – 20kHz, 24dB / Oct
    Insert A: (Pre EQ/Dyn) On/Off
    Equalisation: 4 Band Parametric or Dynamic
    : Parametric Only
    (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Dynamics 1: Single or Multiband (3-band) Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB
    with Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, SoftDe-Esser: Threshold: 20us – 20ms
    Release: 1ms – 100ms
    Ratio: 1:1 – 50:1
    Ess-Band: Listen On/Off
    Ess-Band Filter Freq/Width: 20Hz – 20kHz
    Dynamics 2: On/OffGate / Ducker: Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 – 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHz Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB
    with Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
    Insert B: (Post EQ/Dyn) On/Off
    EQ/Dyn Order: EQ/Dyn or Dyn/EQ
    Mute: Channel Mute / Hard Mute
    Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
    Channel Safe: Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
    Output Routing: Outputs, Insert A, Insert B, FX
    Fader: 100mm Motorised Fader ∞ to + 10dB

      Let's get planning

      If you're interested in hiring this piece of equipment, please request a quote by using the form below so we can check your requirements against our lead times, or speak to a member of our team on 02083 964 207.

      This form collects your name, email address and telephone number so that we can contact you regarding your enquiry. Our Privacy Policy will provide further information on how this data is managed.